Eternity

David Freyne's 'Eternity' presents a delightful metaphysical puzzle wrapped in a romantic comedy-drama, asking what happens when the afterlife offers not finality but a seven-day decision window. The film follows Joan (Elizabeth Olsen), who arrives in a curiously bureaucratic afterlife waystation where souls must choose their eternal destination. Her dilemma is profoundly human: between Ben (Miles Teller), the stable husband with whom she built a full life, and Leo (Callum Turner), her passionate first love who died young and has been waiting decades for her arrival. Freyne cleverly uses this high-concept premise to explore themes of love, regret, and the roads not taken, all while maintaining a surprisingly light touch. The afterlife is depicted not as a celestial realm but as a quirky, slightly bureaucratic resort—think 'The Good Place' meets 'The Lobster'—where souls attend orientation seminars and awkward mixers. Olsen delivers a nuanced performance, perfectly capturing Joan's confusion, guilt, and dawning realization. Teller brings grounded warmth as Ben, while Turner smolders with romantic idealism. Da'Vine Joy Randolph nearly steals the film as a no-nonsense afterlife guide, providing both comic relief and poignant wisdom. At 114 minutes, the film occasionally meanders in its middle section, but Freyne's confident direction and the sparkling chemistry among the cast keep the emotional stakes high. The production design is cleverly mundane, making the extraordinary premise feel relatable, and the score subtly underscores the film's shifting tones between romance, comedy, and existential drama.